And it’s just so clever – both Terry and her other best friend Kwame (Paapa Essiedu) experience issues surrounding consent (Terry from a threesome in Italy, and Kwame from a Grindr date that goes wrong), that dovetail Arabella’s own soul-searching. However, as Arabella goes on her journey nothing can prepare you for the complexity, the really grown-up plotting and character development, and the beautifully written and observed moments that are scattered throughout each episode. So a conventional cops-and-robbers crime story this isn’t but there is a strong whodunit element that keeps us on the edge of our seats here, which lends it an air of familiarity. And, like all good noirs, our main protagonist has to piece together shattered memories and turn chaos into some semblance of calm.īut what makes this a great noir is the journey that Arabella takes, and the uncomfortable truths she has to confront and process before she can get anywhere near the truth. Like all good noirs, the neon-lit metropolis, all blaring police sirens in the background, people on the streets and an undercurrent of something lurking in the shadows is the backdrop. Except it did…įrom that moment on, Arabella is plunged into a noir-like search for the truth. It couldn’t have happened to her? Bright, fiery Arabella? No. A trip to the police and the subsequent swabs and tests confirm it. The gnawing knot in the pit of Arabella’s stomach turns into panic – she was raped in that cubicle. Where did she get it from? And what happened to her phone? What’s happening with all of these little flashbacks she has of a toilet cubicle, and a man standing over her? Why did she withdraw money from a cashpoint that wasn’t on her way home? A bump and graze on her forehead still bleeds. A gnawing knot in the pit of Arabella’s stomach tells her something isn’t right. The morning after the night before, they’re both suffering – they drank too much, they stagger around and they lament the shots that they drank. They drink, they take drugs, they party, they laugh and they cry together, and their friendship and life feels so real.
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Together with best friend Terry (Weruche Opia), they blaze a trail around London and, occasionally in Italy. She is vibrant, funny, kinetic, fun-loving and hedonistic.
#I may destroy you episode 6 series#
The series starts with Arabella, a social media star who’s written a much-talked-about book and is on the way to becoming a brilliant novelist. Underpinning it all is the creative tsunami that is Michaela Coel.Īlready an acclaimed actress thanks to Chewing Gum and Black Earth Rising, I May Destroy You is an intensely personal story for Coel, and she draws upon on her own experiences of trauma and sexual assault to give this 12-part series a rage, a rawness and an authenticity that’s often missing in other stories that attempt to portray sexual assault and rape. And in many ways, it’s a classic noir story, expertly and dazzlingly updated for the modern age. It’s not a conventional crime story per se, but in some ways it is. I May Destroy You ticks all of these boxes and more, but doesn’t follow a blueprint.
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For the longest time, traditional cops-and-robbers dramas have followed well-worn blueprints have been a great vehicle in which to explore themes of human frailty, redemption and all the rest of it. That’s the question we constantly ask ourselves here at The Killing Times.